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PAGE THREE
Balance and imbalance. symmetry and asymmetry.
I find symmetry appealing in a picture. Echoing the architectural detail surrounding her, the girl holds her arms and hands in such a way as to appear almost a mirror image to herself. an asymmetrical composition. If I knew more about music, I could describe my intentions with this sort of image quite fluently. however, though
I love music, so . . . here goes, an imbalanced
image sometimes strikes a chord in me that although discordant, is still
harmonious that's what I'm trying to achieve with this image and others like it. a discordant but exquisite note.
if that makes sense - then you understand me perfectly. If you don't understand . . . well, I know what I mean . . . . .
the background is real - she really was jammed up against a neoclassical roofspace. (just
in case you suspected computer wizardry . . there was none - this is a
'straight photograph' . (I'm
sure that she won't mind me saying that) . . more
of this model to follow. the
picture was one of a series that I made, inspired by the Icarus legend,
I wanted
a twist on the conventional story , so it's moonlight, not sunlight, and
its a girl - not a boy. dunno
if you think it works or not,
three pix of a girl called Judy. just for fun. sorry about the purple border . . I started playing with the colour of the leaves, which led to the colour of the pinline around the border, which led to . . aw yknow how it is . . . anyway - it kinda matches the pavement. (I had the pavement painted specially for this picture).
aw
- playing with borders this time, what the heck is this photographer on . .
the pictures are OK though . . don't you think . . . ?
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